Lawrence Paul Yuxweluptun Lets’lo:tseltun
Exhibitions
Neo-Savage Landscapes, Macaulay + Co. (2025) →
We who have known tides: Indigenous Art from the Collection, Vancouver Art Gallery, Vancouver BC (2025) →
Lawrence Paul Yuxweluptun Lets’lo:tseltun: Floor Opener, Kitchener Waterloo Art Gallery, Kitchener, ON (2025) →
Smoke in Our Hair: Native Memory and Unsettled Time, Hudson River Museum, Yonkers, NY (2025) →
Town + Country: Narratives of Property and Capital, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, BC (2025) →
Electric Dreams: Art and Technology Before the Internet, Tate Modern, London, UK (2024) →
neo-reservation landscape painting and ovoidism, Arsenal Contemporary, New York City, NY (2024) →
Paintings & Sculptures, Macaulay + Co., Vancouver, BC (2023) →
Armory Focus Section curated by Candice Hopkins, New York City, NY (2023) →
Charlene Vickers / Lawrence Paul Yuxweluptun Lets’lo:tseltun, Macaulay + Co. (2021) →
Lawrence Paul Yuxweluptun Lets’lo:tseltun | Tree Drawings, Macaulay + Co. (2020) →
Lawrence Paul Yuxweluptun | Neo Indian Landscapes and Other Works of Art, Macaulay + Co. (2019) →
Lawrence Paul Yuxweluptun, New Works, Macaulay + Co. (2018) →
Lawrence Paul Yuxweluptun – Drawings, Macaulay + Co. (2017) →
Time Immemorial (You’re Just Mad Because We Got Here First), Canada House, Canadian High Commission, London UK (2017) →
Unceded Territories, Museum of Anthropology, Vancouver, BC (2016) →
Lawrence Paul Yuxweluptun – Neo-Totems, Macaulay + Co. (2016) →
Attila Richard Lukacs | Lawrence Paul Yuxweluptun, Macaulay + Co. (2015) →
Lawrence Paul Yuxweluptun – Indian World, Macaulay + Co. (2013) →
Inquire Lawrence Paul Yuxweluptung Lets'lo:tseltun
Studio Visit with Lawrence Paul Yuxweluptun
Of Cowichan (Hul’q’umi’num Coast Salish) and Okanagan (Syilx) descent, Lawrence Paul Yuxweluptun (b.1957) is one of the most outspoken and influential contemporary artists in Canada today. Yuxweluptun presents his ideas through hard-hitting, polemical, but also playful artworks that now span a forty year career. Yuxweluptuns’ works can be brutal critiques of issues such as land title, residential schools, and the destruction of the environment, making him a pivotal voice in contemporary art. He lives and works on unceded, traditional and ancestral xwməθkwəy̓ əm (Musqueam), Sḵwx̱ wú7mesh Úxwumixw (Squamish), and səl̓ ilw̓ ətaʔɬ (Tsleil-Waututh) territories.
Yuxweluptun has participated in more than 25 pivotal exhibitions internationally, with a forthcoming exhibition at the Art Gallery of New South Wales (2027), and presentations at the Tate Modern (2024, London, United Kingdom), Heard Museum (2023, Phoenix, AZ), Philbrook Museum of Art (2023, Tulsa, OK), Eiteljorg Museum (2022 Indianapolis, Indiana), the Haus der Kulturen der Welt (2023, Berlin, Germany), Crown-Indigenous Relations and Northern Affairs Canada (CIRNAC), Indigenous Art Collection (2021-2023, Sussex Courtyards in Ottawa, ON), McMichael Canadian Art Collection (2021, Ontario), Montreal Museum of Fine Art (2020, 2021, Montreal, QB), Crystal Bridges Museum of American Art (2018-2020, Bentonville, Arkansas), SITE Santa Fe (2018, New Mexico), the Art Gallery of Ontario (2017, Toronto), the Vancouver Art Gallery (1997, 2005, 2006, 2011, 2020), the National Gallery of Canada (2013, 2014, Ottawa, Ontario) and the Banff Centre for the Arts (2003, Alberta). In 2016, the Museum of Anthropology at the University of British Columbia mounted a major 30-year survey of his work, titled Unceded Territories. In February 2026, Yuxweluptun was announced as the 2025 recipient of the Gershon Iskowitz Prize in honour of his artistic excellence and contribution to contemporary Canadian art.
Yuxweluptun has participated in more than 25 pivotal exhibitions internationally, with a forthcoming exhibition at the Art Gallery of New South Wales (2027), and presentations at the Tate Modern (2024, London, United Kingdom), Heard Museum (2023, Phoenix, AZ), Philbrook Museum of Art (2023, Tulsa, OK), Eiteljorg Museum (2022 Indianapolis, Indiana), the Haus der Kulturen der Welt (2023, Berlin, Germany), Crown-Indigenous Relations and Northern Affairs Canada (CIRNAC), Indigenous Art Collection (2021-2023, Sussex Courtyards in Ottawa, ON), McMichael Canadian Art Collection (2021, Ontario), Montreal Museum of Fine Art (2020, 2021, Montreal, QB), Crystal Bridges Museum of American Art (2018-2020, Bentonville, Arkansas), SITE Santa Fe (2018, New Mexico), the Art Gallery of Ontario (2017, Toronto), the Vancouver Art Gallery (1997, 2005, 2006, 2011, 2020), the National Gallery of Canada (2013, 2014, Ottawa, Ontario) and the Banff Centre for the Arts (2003, Alberta). In 2016, the Museum of Anthropology at the University of British Columbia mounted a major 30-year survey of his work, titled Unceded Territories. In February 2026, Yuxweluptun was announced as the 2025 recipient of the Gershon Iskowitz Prize in honour of his artistic excellence and contribution to contemporary Canadian art.