Dana Claxton is a critically acclaimed artist who works with film, video, photography, single/ multi-channel video installation, and performance art. Her practice investigates indigenous beauty, the body, the socio-political and the spiritual. Her work has been shown at the Museum of Modern Art (NYC), Metropolitan Museum of Art (NYC), Walker Art Centre (Minneapolis, MN), Sundance Film Festival, Salt Lake City (UT), Eiteljorg Museum of American Indians and Western Art, Indianapolis (IN), Museum of Contemporary Art (Sydney, AU), Crystal Bridges Museum of American Art (Bentonville, AR), Nasher Museum of Art at Duke University (Durham, NC), Memphis Brooks Museum of Art (TN) and the Minneapolis Institute of Art (MN). Her work is held in public, private and corporate collections including the National Gallery of Canada, Winnipeg Art Gallery, Vancouver Art Gallery, Mackenzie Art Gallery, Audain Museum, Eiteljorg Museum, Seattle Art Museum, Forge Project, Minneapolis Institute of Art, University of Toronto, Nerman Museum of Contemporary Art and the Moose Jaw Museum and Art Gallery.

Claxton has received the Eiteljorg Fellowship (2007), Hnatyshyn Foundation Visual Arts Award (2019), YWCA Women of Distinction Award (2019), Governor General’s Award in Visual and Media Arts (2020), the Scotiabank Photography Award (2020), and the Audain Prize for the Visual Arts (2023). Fringing the Cube, her solo survey exhibition, was mounted at the Vancouver Art Gallery (2018) and the body of work Headdress premiered at the inaugural Toronto Biennial of Art, Toronto ON (2019). She is the winner of Best Experimental film at the IMAGINATIVE Film and Media Arts Festival (2013). She is set to have a solo exhibition at the Baltimore Museum of Art in 2024.