Luke Parnell is Wilp Laxgiik Nisga’a from Gingolx on his mother’s side and Haida from Massett on his Father’s side. His training has involved a traditional apprenticeship with a Master Northwest Coast Indigenous carver, a BFA from OCAD, and an MAA from ECUAD. His artistic practice explores the relationship between Northwest Coast Indigenous oral histories and Northwest Coast Indigenous art, with a focus on transformation narratives. With an understanding of visual language as a material expression related to experience, Parnell’s artworks contain traditional and contemporary symbols, where meaning is related to the materials, methods, forms, and context of the works.

Parnell’s work has been exhibited at La Guilde in Montreal (2023), the Varley Art Gallery of Markham (2021), Macaulay & Co. Fine Art (2022, 2020), the Kitchener-Waterloo Art Gallery (2018), the Biennial of Contemporary Native Art (2016), the National Gallery of Canada (2014), MacLaren Art Centre (2011), and more. He has been an artist-in-residence at the Banff Centre and the International Cervantino Festival. His solo 2020 show Indigenous History in Colour has travelled nationally from MKG 127 to the Bill Reid Art Gallery in Vancouver in 2021. Luke Parnell had held his inaugural solo exhibition Remediation at Macaulay + Co. in the Summer of 2022.
They Squawk Like An Eagle
They Squawk Like An Eagle 2023 10 x 7.5 x 5 in. Cedar Install view from Starlight at La Guilde, 2023
Burning in the Rain
Burning in the Rain 2022 34 x 36 x 9 in. Cedar, acrylic, wood cradle board,
S Form
S Form 2022 20 x 32 in., Edition of 5 Screenprint on linen
Wave Form
Wave Form 2022 20 x 32 in., Edition of 5 Screenprint on linen
Installation views of Luke Parnell: Repeat the Chorus Three Times. Varley Art Gallery of Markham, 2021. Photo: Toni Hafkenscheid
Beat One: A Common Gift
Beat One: A Common Gift 2020 32 x 32 x 10 in. Sculpture, mixed media, carved wood Photo: Toni Hafkenscheid
Beat One: A Common Gift
Beat One: A Common Gift 2020 32 x 32 x 10 in. Sculpture, mixed media, carved wood Photo: Toni Hafkenscheid
Beat Two: Only What You Take With You
Beat Two: Only What You Take With You 2020 24.5 x 242.5 x 20 in. Sculpture, mixed media, carved wood Photo: Toni Hafkenscheid
Beat Two: Only What You Take With You
Beat Two: Only What You Take With You 2020 24.5 x 242.5 x 20 in. Sculpture, mixed media, carved wood Photo: Toni Hafkenscheid
Beat Three: Waiting for a call that says it’s Mom
Beat Three: Waiting for a call that says it’s Mom 2020 17 x 16 x 10 in. Sculpture, mixed media, carved wood Photo: Toni Hafkenscheid
Beat Three: Waiting for a call that says it’s Mom
Beat Three: Waiting for a call that says it’s Mom 2020 17 x 16 x 10 in. Sculpture, mixed media, carved wood Photo: Toni Hafkenscheid
Remediation (film still)
Remediation (film still) 2018 HD video, 12m 22s Courtesy of MKG 127 Gallery
NEON RECONCILIATION EXPLOSION
NEON RECONCILIATION EXPLOSION 2020 7 x 12' Collaborative installation, Acrylic on birch plywood, pine, presswood
Bear Mother
Bear Mother 2019 dimensions variable Digital drawing, inkjet on 100% cotton rag paper Courtesy of MKG 127 Gallery
Arts of the Raven
Arts of the Raven 2014 36 x 36 in. Acrylic on canvas Courtesy of MKG 127 Gallery
Beat nation
Beat nation 2014 30 x 40 in. Acrylic on canvas Courtesy of MKG 127 Gallery