Jeneen Frei Njootli

Jeneen Frei Njootli is a 2SQ Vuntut Gwitchin, Czech and Dutch artist and has been living and working as an uninvited guest in the ancestral, unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. They have gotten to work with many mentors and knowledge holders over the years in addition to holding an MFA from the University of British Columbia and a BFA from Emily Carr University. Invested in Indigenous sovereignty, decolonization and concerned with the production, dissemination and embodiment of images, Frei Njootli’s practice takes the forms of performance, sound, textiles, images, collaboration, workshops and feral scholarship.

Represented by Macaulay & Co. Fine Art in Vancouver, Frei Njootli’s work has been presented in many galleries, museums and artist-run centres around the world. Some recent exhibitions include an upcoming exhibition at the New Museum Triennial in New York (2021), Listen Up: Northern Soundscapes, Anchorage Museum (2021), Where Do We Go From Here? At the Vancouver Art Gallery (2020), Kunstverein Braunschweig in partnership with the Contemporary Art Gallery in Germany (2020), PLATFORM PLATFORM centre, Winnipeg (2020); Remai Modern, Saskatoon (2019); Contemporary Art Gallery, Vancouver (2018); Fierman Gallery, New York (2018). Selection of group exhibitions, biennales, and conferences include Yukon Arts Center, Whitehorse (2016-2020); The National Gallery of Canada, Ottawa (2019-2018); Vancouver Art Gallery (2018-2016); Anchorage Museum, Alaska (2020); Gallery TPW, Toronto (2018); Toronto Bienniale of Art (2020); MOMENTA Biennale de l’image and Galerie de l’UQAM, Montréal (2019); Encuentro, Mexico City (2019); Native American & Indigenous Studies Association, Hawaii (2016); among others. In 2017 they were recognized for their work by the Vancouver Contemporary Artist Society and was a runner up for 2018’s Sobey Art Awards.

On the board of directors of Or Gallery, and a member of BUSH gallery, Frei Njootli is currently an Assistant Professor and committee member of VISA Graduate Committee in the Department of Art History, Visual Art & Theory at the University of British Columbia.

What If We Were Cousins,

2014,

46.75 x 36”, Unique,

Archival C-print with matte finish

More than medicine should burn for you,

2020,

Cotton, bleach, hair, fringe,

Sky Daddy Undid Their Flags And Braided Others,

2020,

Cotton, bleach, fringe, wooden pole, brass,

Installation View of attachment,

2019,

jeneen frei njootli

snow crust and sinew,

2018,

Photo credit: Toni Hafkenscheid,

sound installation Mercer Union, Toronto ON

Installation view of NDN Burn at FIERMAN Gallery. Photo courtesy of FIERMAN Gallery,

The Fiction of Zero,

2018,

Ball cap, porcupine quills, chain, sound element. Photo courtesy of FIERMAN Gallery,

Knowledge Transference I,

2017,

metal hardware 52 x 35.5”. Photo courtesy of FIERMAN Gallery,

Archival ink on vinyl

jeneen frei njootli

LUX|MAM III,

2017,

48" L x 35.7" H x 3" W,

Bronze, Bleached Caribou Antler, Plastic, Leather

Jeneen Frei Njootli

LUX|MAM VI, Poly(methyl methacrylate),

2017,

Dimensions Variable,

Paper, Grease

jeneen frei njootli

She made me realize what i had done, or what i have been doing, sculpture and performance,

2015,

mixed media,

LUX | MAM II,

2017,

Steel, Leather, Petrobond Sand,

Jeneen Frei Njootli, LUX | MAM,

10 minute performance, sound,

2017